Discovering eco-criticism in Hindi: Renu’s Tale of a barren land
In an ecocritical reading of Hindi author Phaniswarnath Renu, Amul Gyawali explores the dichotomies in his writing: state-society, centre-periphery and, crucially, man-nature
In an ecocritical reading of Hindi author Phaniswarnath Renu, Amul Gyawali explores the dichotomies in his writing: state-society, centre-periphery and, crucially, man-nature
Through the annual festival celebrating the Mawlid, or the Prophet Muhammad's birthday, July Blalack explores the mingling multilingual poetry and oral histories from Assa, where Berber/ Amazigh tribes have long mixed with their Sahrawi neighbors.
This Arabic short story published in New York during the Prohibition Era uses science fiction to imagine just how far banning certain beverages could possibly go. Raphael Cormack translated the story into English, and includes an introduction which contextualizes the story and 'Al-Akhlaq' journal as part of a larger Arabic literature and news scene set in New York in the early 20th century
Earlier this month the city of Tangier hosted a variety of academic, literary, and cultural events which brought to life the legacy of Ibn Battuta, the famous 14th-century wayfarer originally hailing from this coastal town. Tangier has a long-standing reputation as a city belonging to every nation and to no nation, as it passed
Fatima Burney looks back at our roundtable discussion with Professor Aamir Mufti and explores the consequences of his latest book, Forget English!, for the MULOSIGE project
Kuwaiti novel 'Saq al-Bambu' is presented as a text translated from Tagalog even though it was originally written in Arabic- however, the English translation completely erases the fictional translation aspect.
Poetry doesn't need to be completely understood to be experienced, making it an ideal medium for multilingual expression. Here multimodal artist Kwame Write talks to MULOSIGE about the language of water and about multilingualism in his life and work.
Watching 'Hamlet Live' at Kronborg Castle creates a sense of both familiarity and distance that helps us think about how literatures travel and come to be shared
As ‘kan ya makan’ implies, Blasim’s stories are and they are not: they impress upon readers the porous boundaries between fact and fiction, particularly at a juncture when tales of migration are gaining political and literary attention
Paris seems to come up again and again in Arabic literature. Considering its history, and the presence of a large Arabic-speaking diaspora in France, it is perhaps unsurprising that Paris is an incredible destination for readers of Arabic