Current Globalising Movement

/Tag: Current Globalising Movement

The current globalising moment has seen the boom of neo-liberal global capitalism, of Anglophone literature and a revival of “world literature” as comparative literature for the global age.

MULOSIGE Reading List: International Solidarity and World Literature

By |2019-07-01T17:01:46+01:00July 1st, 2019|Categories: Digital Humanities and Archiving, Horn of Africa, Literary Criticism, Maghreb, Members, MULOSIGE Syllabi, Poetry|Tags: , , , , , , , |

This reading list was contributed by Dr Anna Bernard and challenges the choice between nation and transnationalism that has often seemed central to theorizations of world literature, but which has tended to bypass internationalist networks of anti-colonial writers working within discrete national contexts.

MULOSIGE Reading List: World Literature and Planetary Catastrophe

By |2019-05-31T10:19:51+01:00May 30th, 2019|Categories: Digital Humanities and Archiving, Genre, Literary Criticism, Members, MULOSIGE Syllabi, Reading|Tags: , , , , , , , , , , |

Dr Florian Mussgnug (UCL) provides a reading list on World Literature and Planetary Catastrophe.

MULOSIGE Syllabus: Science, Literature and Development in the MENA Region

By |2019-05-28T11:25:53+01:00May 28th, 2019|Categories: Genre, Horn of Africa, Maghreb, Members, MULOSIGE Syllabi, Popular and Pulp Fiction|Tags: , , , , , , , |

This is a course about the relationship between science, literature and development in the MENA region and the role science fiction in world literature.

Being Human

By |2019-05-14T16:08:16+01:00May 13th, 2019|Categories: Digital Humanities and Archiving, Maghreb, North India, Orality and Oral Forms, Past events, Podcast, Uncategorized|Tags: , , , , , |

In this podcast, Dr Vayu Naidu discusses the MULOSIGE project with Professor Francesca Orsini, Itzea Goikolea-Amiano and Jack Clift. As part of the Being Human festival, Dr Vayu Naidu gives a storytelling workshop at the N4 Library and discusses how multiple languages, improvisation and music can create fascinating new paths for stories and literature to travel across the world.

The Ethiopian Writers’ Association: Between Multilingual Openings and Monolingual Practice

By |2019-05-03T15:02:16+01:00May 3rd, 2019|Categories: Horn of Africa, Journals, Reading|Tags: , , , , , |

When the association that claims to be “Ethiopian” restricts its policy and publications to the tradition of one language and presents that language as a representative of the country, the legitimacy of such a claim should be called into question.

Postcolonial Print Cultures Conference Report

By |2019-04-12T14:14:35+01:00February 21st, 2019|Categories: Horn of Africa, Journals, Literary Criticism, Maghreb, North India, Past events|Tags: , , , , , , , , , , , , , , , |

The Postcolonial Print Cultures Conference was convened at SOAS University of London on the 11-12th January 2019. The methodological conditions behind the conference are to consider the historical moment of the Cold War in ways other than by splitting the world into two spheres.

What’s in a Name? On Afghanistan’s Fraught Persian Language Politics

By |2019-04-12T14:18:11+01:00January 7th, 2019|Categories: Digital Humanities and Archiving, Maghreb, North India, Reading, Translations|Tags: , , , , , , , , |

Ronah Baha discusses the politics of the BBC's decision to name their BBC Afghanistan page 'BBC Dari', focusing on the rich diversity of Persian literary and civilisational linguistic histories.

MULOSIGE libraries project

By |2019-04-12T14:23:13+01:00August 2nd, 2018|Categories: Education and Taste, Events, Outreach, Translations|Tags: , , , , , , , , |

Discover literature in Arabic at your local library! MULOSIGE is working with libraries in London to encourage them to stock books in multiple languages.

Writing Rumi in Whitman’s Image: On Coleman Barks, and the Appropriation of Rumi’s Poetry

By |2019-04-12T14:25:30+01:00July 18th, 2018|Categories: Maghreb, Poetry, Reading|Tags: , , , , , , , , , , |

Barks looks to create a rendition of Rumi that is intelligible to him. This endeavor manifests as a form of Orientalism, however subtle: it is Barks’ project to create Rumi and Rumi's poetry in his own image.