Ethiopia

/Tag: Ethiopia

The Ethiopian Writers’ Association: Between Multilingual Openings and Monolingual Practice

By |2019-05-03T15:02:16+01:00May 3rd, 2019|Categories: Horn of Africa, Journals, Reading|Tags: , , , , , |

When the association that claims to be “Ethiopian” restricts its policy and publications to the tradition of one language and presents that language as a representative of the country, the legitimacy of such a claim should be called into question.

“Reading together” in multilingual contexts beyond monolingual methodologies

By |2019-04-12T14:10:45+01:00March 20th, 2019|Categories: Events, Literary Criticism, Translations|Tags: , , , , , , , , , , , , , , , , , |

The conference programme for "Reading Together" in Multilingual Contexts Beyond Monolingual Methodologies, to be held in Università degli Studi di Napoli L’Orientale, Naples 11-12 April 2019.

Barreessitoonni fi Qorattoonni Oromoo waa’ee Ogbarruu Oromoo Maal Jedhu?

By |2019-04-12T14:16:06+01:00February 5th, 2019|Categories: Horn of Africa, Reading, Translations|Tags: , , , , , |

Ayele Kebede Roba discusses Oromo literature in the Oromo language; centring discussions of world literature outside of the English language.

“A miniature Oromo academy in exile”: How former slaves pioneered Oromo studies

By |2019-04-12T14:16:38+01:00January 28th, 2019|Categories: Horn of Africa, Orality and Oral Forms, Reading|Tags: , , , , , , , , , |

Dr Assefa Tefera Dibaba introduces the history of Oromo folklore studies.

Ethiopia and the convergence of antifascist and anticolonial activism in the 1930s

By |2019-04-12T14:19:40+01:00November 21st, 2018|Categories: Horn of Africa, Literary Criticism, Reading|Tags: , , , , , , |

Dr Sara Marzagora reviews Neelam Srivastava's new book "Italian Colonialism and Resistances to Empire, 1930-1977"

Farewell has colors: Adam Reta’s “Colors of Adios”

By |2019-04-12T14:37:31+01:00July 14th, 2017|Categories: Horn of Africa, Literary Criticism, Reading|Tags: , , , , , , , , |

In his latest Amharic novel, the Ethiopian writer Adam Reta uses the metaphor of light prisms and colours to describe how couples, histories and nations part, mix and combine