Isadora Hutcheson-Lovett argues that "Dernières nouvelles du colonialisme" pushes back against French legislative power; demonstrating collective transnational memory in the face of France's metropolitan amnesia.
Jenny Moran introduces An Foclóir Aiteach, a dictionary that writes queer terminology into the Irish language.
Ronah Baha discusses the politics of the BBC's decision to name their BBC Afghanistan page 'BBC Dari', focusing on the rich diversity of Persian literary and civilisational linguistic histories.
Christie Cheng is currently enrolled in the Masters in Cultural Studies programme at SOAS and is particularly interested in understanding contemporary Southeast Asian cultural production through film and literature. Prior to her MA course, she read English Literature at the National University of Singapore and worked as an Arts Manager for the Literary Arts
Is there such thing as a single language? Capildeo's poetry emphasises linguistic multiplicity even in monoglot societies.
Edna Mohamed is an MA Postcolonial Studies student at SOAS, University of London. Her current research examines de-linking practises and liberation movements within the cultural form from a Black feminist lens. Her other interests are in race studies, the Muslim diaspora, postcolonial environmentalism and gender studies. Contextualising the politics of the South
Sinjini Chatterjee discusses the portrayal of a female utopia in Rokeya Hossain's Engish language short story, "Sultana's Dream".
No Italian writer has left a deeper and more lasting imprint over Italian readers of a certain exotic image of India than Emilio Salgari (1862-1922). His adventure books spanning four continents rank among the classics of adventure/children’s literature. Indeed, were popularity alone determined membership to world literature, Salgari would count as the foremost Italian writer in the world.
Shonali Jindal investigates whether a fundamental difference exists in the treatment of Hindi and English Literature in English-medium textbooks in contemporary India.
Christie Cheng explores the constructions and re-constructions of violent truths in Seno Gumiro Ajidarma's short stories.
